I was born in Akure, a hilly, ancient, rainforest town that became the chief administrative town of the newly created Ondo State in 1976. As a child, I witnessed the old town’s effort, both deliberate and inevitable, to wear a modern look. I’m naturally attracted to stories, fiction or non-fiction, that gives voice to the individual right to resist the old or the new; resistance that will not be without consequences. Kasali’s Africa is the theatre of ideas for Kasali, a rural farmer courted by the educated elites, and his view on what Africa should be. If you love Africa, I know you will enjoy these books.
Ben Okri won a Booker Prize in 1991 for this poetic storytelling finesse based on the Yoruba Abiku Myth.
I love its lyrical depiction of life on the fringes of poor suburban Africa; the narration by Azaro, a 9-year-old boy who decides to stay with his Mom on earth rather than die as he was done in prior reincarnations, is a blend of Kafka and Marquez in tropical Africa, and everything that comes with the heat and humidity. I love the author’s mirror on the hopelessness of poverty, the hypocrisy of the political class, and the situation of poorly governed country that always seems to go back to terrible beginnings. I knew the world of the story as a Yoruba man, and as a Nigerian.
Winner of the Man Booker Prize: “Okri shares with García Márquez a vision of the world as one of infinite possibility. . . . A masterpiece” (The Boston Sunday Globe).
Azaro is a spirit child, an abiku, existing, according to the African tradition, between life and death. Born into the human world, he must experience its joys and tragedies. His spirit companions come to him often, hounding him to leave his mortal world and join them in their idyllic one. Azaro foresees a trying life ahead, but he is born smiling. This is his story.
Wow. I was haunted by Chimamanda’s expressive writing of that Nigerian Civil War story, based on the pre-war years, the short-lived Biafra Republic, and a short time after the war. I love that she tells the hard truths in vivid pictures and lively characters. I still agonize about Kainene, one of the twin sisters swept away by the war, to death or to states a lot more like death.
Winner of the Orange Broadband Prize for Fiction 2007, this is a heartbreaking, exquisitely written literary masterpiece
This highly anticipated novel from Chimamanda Ngozi Adichie is set in Nigeria during the 1960s, at the time of a vicious civil war in which a million people died and thousands were massacred in cold blood.
The three main characters in the novel are swept up in the violence during these turbulent years. One is a young boy from a poor village who is employed at a university lecturer's house. The other is a…
I was taken to Congo Brazzaville in the 70s. I know that 10-year-old boy, Michel, the narrator of this exploration of urban, postcolonial childhood. As the continent oscillates between cold war ideologies, Michel innocently observes the world around him and truthfully arrives at philosophical conclusions based on his intelligence. The skillful mix of moments of sad reflection with the joys of childhood thrills the adult perspective, thus giving us 1970s Pointe Noire and the air around it.
Finalist for the Man Booker International Prize 2015
Michel is ten years old, living in Pointe Noire, Congo, in the 1970s. His mother sells peanuts at the market, his father works at the Victory Palace Hotel, and brings home books left behind by the white guests. Planes cross the sky overhead, and Michel and his friend Lounes dream about the countries where they'll land.
While news comes over the radio of the American hostage crisis in Tehran, the death of the Shah, the scandal of the Boukassa diamonds, Michel struggles with the demands of his twelve year old girlfriend Caroline,…
The Fishermen is set in Akure, the first town I ever knew intimately, and a town I have fallen in love with once again as an adult. In Akure you will see hills and rivers and green scenery, you will see stories. This gives me rare insight into the childhood adventures of the protagonist, Ben, and his 3 brothers, whose lives were shackled by the rantings of a mentally disturbed man. I love the author’s use of historical figures and events of 1990s Nigeria as a backdrop for this tragic story about a normal Nigerian family.
A striking debut novel about an unforgettable childhood, by a Nigerian writer the New York Times has crowned "the heir to Chinua Achebe."
Told by nine-year-old Benjamin, the youngest of four brothers, The Fishermen is the Cain and Abel-esque story of a childhood in Nigeria, in the small town of Akure. When their father has to travel to a distant city for work, the brothers take advantage of his absence to skip school and go fishing. At the forbidden nearby river, they meet a madman who persuades the oldest of the boys that he is destined to be killed by…
Post-colonial Africa’s clash of ideas unravels in this sprawling satirical story set in Aburiria, a fictional African country where a dictator and his cronies battle both human and supernatural, real or imagined enemies. The opening paragraph drew me in, and from there I took sides with human or supernatural beings as each page opens up the misery born of the Aburiria dictator’s misrule.
Informed by traditional African storytelling, discover Ngugi wa Thiong'o's masterpiece.
To honour the Ruler's birthday, the Free Republic of Aburiria set out to build a tower; a modern wonder of the world that will reach the gates of Heaven. But behind this pillar of unity a battle for control of the Aburirian people rages. Among the contenders: the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank.
Kasali Adebayor, a prominent farmer in the city of Akure, a husband of five wives, fancies himself as an activist for good governance while wielding the big stick of patriarchy over his family members. In the fast-changing African political landscape Kasali's family comes under the spotlight; an exposure which—initially appealing and addictive—threatens everything he holds dear and secret. Kasali's daughter who has been a secret rebel in her father's Akure enclave visits her aunt in Monrovia, gets drunk on her freedom, and is soon caught in the web of violence that engulfs Liberia's Glay presidency.
Kasali Adebayor, weak against the subtle feminism-inspired request of his of beloved wife Mojisola, ends in a dead end that brings out the worst in him, and begins the end of Kasali's Africa.
About myself: As a novelist I’m crazy for detail. I believe it’s the odd and unexpected aspects of life that bring both characters and story worlds to life. This means that I try to be an observer at all times, keeping alert and using all five – and maybe six – senses. My perfect writing morning begins with a dog walk in the woods or on a beach, say, while keeping my senses sharp to the world around me and listening out for the first whisper of what the day’s writing will bring.
This book is a literary historical novel. It is set in Britain immediately after World War II, when people – gay, straight, young, and old - are struggling to get back on track with their lives, including their love lives. Because of the turmoil of the times, the number of losses, and the dangerous and peculiar circumstances people find themselves in, sexual mores have become shaken and stirred.
But what happened after the war, in the time of healing and settling down? This novel examines the emotional, romantic, and sexual lives of three characters searching for a way to proceed.
Love never dies in this novel by “a writer of addictive emotional thrillers” (The Independent).
Told from three perspectives A Particular Man is about love, truth and the unpredictable consequences of loss.
When Edgar dies in a Far East prisoner-of-war camp it breaks the heart of fellow prisoner Starling. In Edgar’s final moments, Starling makes him a promise. When, after the war, he visits Edgar’s family, to fulfil this promise, Edgar's mother Clementine mistakes him for another man.
Her mistake allows him access to Edgar’s home and to those who loved him, stirring powerful and disorientating emotions, and embroiling him…
